Monday, 2 November 2009

Task 4

Hire a Police car

http://www.hireapolicecar.com/

(Need to get a quote from them)



Hand Replica Gun

http://www.deactivated-military-weapons.co.uk/mdwsupplies-deactivated-pistols.html

£195


common boa 5ft very tame
Price:
http://www.preloved.co.uk/fuseaction-adverts.showadvert/index-1032165978/6bf421aa.html
£80

Descriptiondog tame common boa feeding and shedding well ,been well looked after over the years we had him ,love coming out wont find a more friendly snake ,we sell snake alone for £80 or will sell the tank which is a 4 by 2 by 2 ft tank with uv heat bulb and all you would need for £180 any questions please check distance before hand pics on request



Police Uniform Hire
http://www.t9hire.co.uk/index_files/Page441.htm



Around £35 pert weeks hire



3 Male actors for Hire

http://www.dsentertainment.com/DSEactmale2640.html

(Need to contact for daily wage)

12 year old actor

http://www.actorspages.org/forum/viewtopic.php?t=1884&sid=6ee61fa0e33ede4f758bdc58f1e0e6d4

(Need to contact)




20Ft Camera crane


(need to contact)


Camera for hire

Panasonic AJ HPX 301 - High Definition Camcorder
Panasonic brings professionals a new style of camera-recorder. The AG-HPX301 debuts with a totally redesigned body that’s compact, lightweight and has a low center of gravity. Mobility is outstanding. Operation is easy. And the AG-HPX301 comes packed with Panasonic’s most advanced P2 HD technology.
Daily Hire:£95.00
Weekend Hire:£170.00
Weekly Hire:£330.00
Two week Hire:£460.00
Monthly Hire:£820.00
Deposit:Delivery and collection:
Required£35.00
Features
DVCPRO HD, DVCPRO SD, DVCPRO, DV
Fujinon High-Performance 17x Zoom Lens
Newly Developed 2.2-Megapixel Image Sensor
Chromatic Aberration Compensation (CAC)
Dynamic Range Stretch (DRS)
Newly Developed 20 bit Digital Signal Processor
Tow truck Hire
£85+ plus VAT.

Sunday, 1 November 2009

Call Sheets!!

There are many reasons why you need a call sheet!!

There are many features to a call sheet.
Some of the main features that you will see is:
  • Contact information, i.e. Phone numbers of crew members and other contacts that they will need.
  • The schedule of the day. ie. What scenes and script pages are being shot. What time the cameras are going to be set up and the lighting etc.
  • The address of the location. This is very important because you dont want to put one street down and send all actors there and you are a mile away at some other location, because thatw ould be a disaster.
  • Some call sheets contain information about cast transportation arrangements, Parking instructions, and also safety notes that you definately need to have.
Without call sheets your production in filming can go terribly wrong because the actors,actresses dont have the rules and strict time schedule that they need to have to produce a profesional film.

Thursday, 29 October 2009

Examples Of Callsheets


Call Sheet 1(issued by Javier Viciano and Melvin Royster)


Director: Javier VicianoAssistant Director: Melvin RoysterProducers: Jessica Zucal, Brian McAfee
Location: The Washington Navy Yard901 M Street SEWashington DC 20374
Unit Call: 3-00On Location: 4:00
Sets: Rader Room and Corridor
Scenes: 3-5, 7, 16, 31
Actors:Pam - LizChris - RicoJessica - JenaMac - Garrett

Camera: Amber, AprilSound: Andrew, Ben
Costumes: Michelle
Transport: Bus Trains Autos


3-00pm: Call
3-30 pm:
Meet,

Load Equipment,

Travel to Washington Navy Yard

Location contacts: Commander Trumble - 202-433-6111

Crew Contact: Jessica Zucal - 703-470-2829
4-30pm: Unload Equipment at Navy Yard
5-00pm: Set and Light
5-45pm: Shoot
8-00pm: Rap it up
8-30pm: Travel home

http://mason.gmu.edu/~lsmithg/gtvcall1.htm

Tuesday, 27 October 2009

HSE

HSE: Health and Safety Executive






Our mission is to prevent death, injury and ill health in Great Britain’s workplaces.








The health and safety executive helps you with the guidance of health and safety in work businesses etc.




Risk management

Risk management involves you, the employer, looking at the risks that arise in the workplace and then putting sensible health and safety measures in place to control them.
The HSE regularly issues news stories in relation to health and safety in the workplace. We also respond to related articles and reports in the British media.

The HSE has news articles on thier website about accidents that have happened at someones work. An owner of a workplace can then look at this and relate to thier workplace and would do a risk accessement on this and make sure thier workers are safe workin in the workplace.
Here is a link to a news report that warns sole traders after a laborour was killed by a steel joist.

MCPS



What is the MCPS?


MCPS: Mechanical, Copywrite, Protection, Society

Basicaly the MCPS is the copywrite protection society that protects music against copywrite.
If you wanted a certain song in your film/advert/tv drama/tv programme etc. you will have to ask permission to pur this song in your film/advert/tv drama/tv programme etc. .
The Mechanical-Copyright Protection Society (MCPS) are an organisation who pay royalties to composers, songwriters and music publishers when the music they have created is sold. This includes sales of the music alone such as CDs and downloads, and also products which use the music as a part of their soundtrack, such as films and computer games. The MCPS has 17,000 members and was founded in 1924. MCPS are the sponsors of the Gold Badge Awards and have been for 22 years. MCPS entered into an operational alliance with PRS (the Performing Right Society) in 1997, called the MCPS-PRS Alliance.
MCPS now sits under the broader
PRS for Music brand.








Mechanical Copyright and MCPS
The mechanical copyright protection society (MCPS) exists to ensure that when a music cd is pressed, the writers of the works featured on the cd are paid a royalty from the pressing of the CD. As a result most music publishers in the UK (and also professional composers not signed to a publisher) register all their works with MCPS. MCPS is now marketed under the new name of PRS for Music, which is a front for both the Performing Rights Society (PRS) and MCPS. Legally though the two bodies still exist as separate entities.
If you want to sell a CD that features music written by established music composers, you need to get a license from MCPS. By licensing your CD release (details below), MCPS will then calculate what the royalties should be. This depends upon the sale price of the disk, the quantity of disks being manufactured and the percentage of music on the CD that is written by writers who have registered their works with MCPS. They will then issue you with an invoice which, once paid, allows the purchaser of the license to proceed with the manufacture of their product
In practice, established duplication houses like our own are happy to proceed with manufacture so long as we know that licenses have been applied for. This is because it can sometimes take some time for the invoice and license to be issued and this can sometimes become impractical given the deadlines of release dates, special events. To this end MCPS have a list of approved CD duplicating houses who are licensed to proceed with duplication without the sight of a license. In return these Duplication Houses make a monthly return to MCPS of all projects, recod company details, quantities duplicated / replicated etc etc
If the CD features original works by writers who have not registered their works with MCPS, the license should still, in theory, be registered with MCPS, but there will be no costs and they will issue a 'license' called a 'Notification of No Claim'. In practice nowadays it appears that many music makers and cd producers are not bothering to register works in this situation and many established cd duplicators are not worrying about this so long as it is obvious that the works are original, not cover versions of famous songs, and not songs that are likely to have been previously registered with MCPS. If in doubt on this you should always register your cd, just in case.
Classical recordings often feature works by composers who are no longer alive. It is the law that royalties from CD pressings that are due to dead composers be paid to their heirs up until 70 years after their deaths. For composers who died prior to 1939 (as of 2009), these works enter the 'Public Domain' and as a result no royalties are due. The 'Public Domain' also includes many traditional and folk tunes where the composers identity has never been established. If in doubt, register the works anyway and MCPS will tell you whether royalties are due.
MCPS does not license the right for you to press CDs featuring original sound recordings owned by other record companies. Rights in these recordings are controlled by individual record comapnies and you should approach them direct for licensing information.
The AP2 Licensing Scheme
The established traditional licensing scheme from MCPS is called the AP2 License which is the standard method used for registering music cds produced by independent music artists and record companies. The forms take about 10 minutes to fill in on line and you need to provide information about the works on the disk, writers, publishers if known, and duration of each work. Based on your application MCPS will issue an invoice. Once paid, a copy of the license is sent to you and to the duplication house you are using to duplicate your disks.
The cost is about 6% of the retail price at which you will selling the disk (less vat if applicable). So, if you are a beatles tribute band duplicating your album of Lennon/McCartney songs, recorded by yourselves, you will pay about 60p a disk on a cd destined to sell at £10.00
To apply online go to
http://apps.mcps-prs-alliance.co.uk/AFL/.
The Limited Availability Licensing Scheme
In recent years MCPS have come up with a convenient license designed for those producing maybe just a few disks, up to 500, perhaps a choir raising money for a charity, a school brass band, a pop group just starting out. This is called the Limited Availability Scheme. This is a one off payment on a sliding scale, very economical, and does not require the extensive form filling of the AP2 license. However there are some specific exceptions to those who can use this scheme and details can be gained direct from MCPS Licensing Services on 020 7306 4500. Also available online.
The principle exceptions are:
Any productions that are sponsored or branded by a third partyAny defamatory use of a member's work.Any product which contains material of a sexual, violent, drug-related, political or other contentious nature.
To apply online go to
http://www.prsformusic.com/musicforproducts/LM/Pages/LM.aspx
Contact MCPS direct at:
MCPS-PRS AllianceCopyright House29-33 Berners StreetLondon W1T 3AB
Telephone enquiries, all copyright issues - 020 7580 5544
www.mcps.co.uk
A couple of other interesting points:
The Performing Rights Society
MCPS have now joined forces with PRS (Performing Rights Society) which licenses the performing rights of writers works to venues and broadcasters. This performing right is different to the mechanical right. The mechanical right is the right to mechanically copy recordings of a composers works onto a carrier such as CD, tape or vinyl. It is the mechanical right that music cd producers are concerned with.
Grand Rights
If you wish to produce a cd of music from a musical, this requires that you contact the publishers of the works direct. Publishers of music from musicals can exercise their 'Grand Rights' to refuse you permission to make such a recording and copy to CD. These grand rights are exercised over and above the rights licensed by MCPS and to be honest can sometimes render the exercise rather frustrating. Contact MCPS direct or the publisher of the works for more details.

EQUITY














Equity is the UK Trade Union representing professional performers and other creative workers from across the spectrum of the entertainment, creative and cultural industries. In this site you will find a wide range of information including rates of pay, how to join Equity, office contacts, branch contacts and websites, careers advice and how you can get involved in helping theatres and companies at risk. Equity members can find more detailed information including job information, individual contacts, Equity agreements, legal help, welfare and tax advice, how to take an active role in Equity and work opportunities, and can add or update directory details.



What is EQUITY?

Equity is the only Trade Union to represent artists from across the entire spectrum of arts and entertainment. Formed in 1930 by a group of West End of London performers, Equity quickly spread to encompass the whole range of professional entertainment so our membership includes actors, singers, dancers, choreographers, stage managers, theatre directors and designers, variety and circus artists, television and radio presenters, walk-on and supporting artists, stunt performers and directors and theatre fight directors.
Although we are a Trade Union, Equity is not politically affiliated and so does not make payments to any political party. This puts Equity in the strong position of being able to lobby with impunity governments of all political colours. We are however affiliated to the Trades Unions Congress and Equity delegates attend the annual TUC conference as a means of bringing performers' issues to a wider audience.
The main function of Equity is to negotiate minimum terms and conditions of employment throughout the entire world of entertainment and to endeavour to ensure these take account of social and economic changes. We look to the future as well, negotiating agreements to embrace the new and emerging technologies which affect performers so satellite, digital television, new media and so on are all covered, as are the more traditional areas. We also work at national level by lobbying government and other bodies on issues of paramount importance to the membership. In addition we operate at an international level through the Federation of International Artists which Equity helped to establish, the International Committee for Artistic Freedom and through agreements with sister unions overseas.
In addition to these core activities, Equity strives to provide a wide range of services for members and so they are eligible for a whole host of benefits of membership which are continually being revised and developed.


EQUITY commitees


Equity has a large number of specialist and geographical committees, all of which are made up of elected members. These committees are crucial to Equity as they raise and discuss issues that are of relevance to their specialism or area. They advise the Equity Council and put motions to the Annual Representative Conference and so introduce, influence or change union policy. If you are a member and want to know more about participating in this work please log in.
Specialist committees:
Audio
Choreographers
Concert and Session Singers
Disability
International Committee for Artistic Freedom
Lesbian, Gay, Bisexual & Transgender
Minority Ethnic
Models
Opera Deputies
Independent Theatre Arts
Stage Management
Stunt
Theatre Designers
Theatre Directors
Theatre Fight Directors
Variety Advisory Committee
Walk-on and Supporting Artists
West End Deputies
Women
Young Members
Geographical committees:
London Area
Midlands Area
Northern Area
Northern Ireland
Scottish National
South East Area
South West Area
Welsh National


So you want to be a performer:

Performers need to be talented and skilled. They also need stamina, dedication and self-discipline. Nearly all professional performers have had training either at a drama or dance school or at university. Courses at specialist drama, dance or other performing arts schools tend to be more vocational and practical than university courses which by and large are more theoretical.
We are just finishing a project on careers information with both of the Sector Skills Councils that cover the entertainment industry. As a result there will soon be profiles of jobs such as actor, stand up comedian, stage manager, walk-on artist etc available on this website and on the sites of Skillset (audiovisual industries) http://www.skillset.org/ and CC Skills (live performance industries) http://www.ccskills.org.uk/. Keep checking the sites.
There are BTEC National Diplomas in performing arts which many colleges teach. These are equivalent to A levels and normally require four GCSEs at grades A-C for entry. These can be a platform to move onto training at a higher level such as the BTEC Higher National Diplomas, or specialist courses at drama school.
If you are interested in a career in drama you should contact the National Council for Drama Training at 5 Tavistock Place, London WC1H 9SN - tel: 020 7387 3650 or www.ncdt.co.uk. They will be able to provide a list of colleges which run accredited drama courses. Professional training on an accredited course is perceived as by far the best way to enter the acting profession. Some government funding is available for people on such courses. The Council for Dance Education and Training at Toynbee Hall, 28 Commercial Street, London E1 6LS, tel: 020 7247 4030, or www.cdet.org,uk should be able to provide similar information for those interested in dance. You can also get information on courses at all levels from your local library. There is also the Conference of Drama Schools which represents most of the leading drama schools in the UK and they have a very useful website with information about different careers in the entertainment industry, www.drama.ac.uk. Many of the members of this group offer degree courses in acting. Please note that auditions form part of the entry process for places at specialist dance and drama schools.
There is also training available for people wishing to learn circus skills and comprehensive information on this can be found at http://www.circusarts.org.uk/
Younger people can find out about less lengthy training by contacting theatres in your area to ask if they run any theatre groups or workshops. You could also contact local private dance and drama schools to see if they run weekend or summer courses which will not clash with school timetables. The names of theatres, schools and their telephone numbers can be found in the publication Contacts. A copy of Contacts can be obtained from Spotlight, 7 Leicester Place, London WC2H 7PB - tel: 020 7437 7631, or you could ask your local library to get a copy. There is also the National Youth Theatre of Great Britain http://www.nyt.org.uk/, and the National Association of Youth Theatres http://www.nayt.org.uk/.


Equity can help filmmakers find performers by helping performers start a career and get well known, so then filmmakers can go to a theatre or special events and find good actor's/actress's for thier film. The EQUITY website also lets employers advertize vacansies free of charge! So it would be easier for actors etc. to find career paths.

About EQUITY:

"Equity is the only force in the entertainment world to bring some order to the very uncertain lives of performers." Judi Dench
"Live performance is vital to the health and well-being of society and fundamental to the development of quality entertainment. Equity manages to bring together all sections of the industry." Roy Hudd
"I have been impressed watching Equity take strong and determined action on behalf of its members. It is reassuring to know that Equity is there ready to fight your corner if trouble comes." Philip Hedley
"Our business is very tough - we need strength behind us. Equity is willing, waiting and wanting to supply it." Gillian Lynne
"The healthy relationship between British theatre and Equity is vital if theatre is to flourish in the 21st century. Theatre directors are uniquely placed to lead in strengthening this partnership. They should get involved by joining Equity." David Thacker
"The support and advice that Equity provides are invaluable to all dancers, whether they are starting out or well-established in the profession." Jonathan Cope
EQUITY offices
London
Head Office Guild HouseUpper St Martins LaneLondonWC2H 9EG
Telephone: 020 7379 6000Email: info@equity.org.ukFascimile: 020 7379 7001
Midlands
Tim Johnson
Office 1, Steeple House, Percy St, Coventry, CV1 3BYTel/Fax: 02476 553 612 //-->Email: info@midlands-equity.org.uk
North East
Nigel Jones
The Workstation, 15 Paternoster Row, Sheffield, S1 2BXTel/Fax: 01142 759 746 //-->Email: njones@sheffield.equity.org.uk
North West and Isle of Man
Jamie Briers & Mary Hooley
Express Networks, 1 George Leigh Street, Manchester, M4 5DLTel: 0161 244 5995 Fax: 0161 244 5971 //-->Email: info@manchester-equity.org.uk
Scotland and N.Ireland
Lorne Boswell, Drew McFarlane & Irene Gilchrist
114 Union Street, Glasgow, G1 3QQTel: 0141 248 2472 Fax: 0141 248 2473 //-->Email: igilchrist@glasgow.equity.org.uk
South East
John Ainslie
Guild House, Upper St Martins Lane, London, WC2H 9EGTel: 020 7670 0229 Fax: 020 7379 7001 //-->Email: jainslie@equity.org.uk
Wales and South West
Christopher Ryde, Mair James Buckley
Transport House, 1 Cathedral Road, Cardiff, CF11 9SDTel: 029 2039 7971 Fax: 029 2023 0754 //-->Email: info@cardiff-equity.org.uk

Monday, 19 October 2009

Who are the PACT?


Pact is:
Producers Alliance Cinema Television

About PACT:

Pact is the UK trade association that represents and promotes the commercial interests of independent feature film, television, children's and animation media companies.
Pact is the largest representative group of screen-based content producers in the UK and the largest trade association in the film, television and interactive media sectors.
Pact offers a range of business services to its members; actively lobbies government organizations at local, regional, national and European level and negotiates minimum trading terms with the major UK broadcasters.
Policy and Lobbying
Pact represents its members interests to Government, Parliament and the regulator. We campaign on a variety of issues that are key to the success of the sector, including protecting and building on the Terms of Trade between producers and broadcasters. Details of our current policy and lobbying work.
Business Affairs
Pact’s Business Affairs department is here to help you with any business affairs or legal problem. Our team provides advice and help on a range of topics including:
• Broadcaster terms of trade and commissioning agreements• Employment and HR issues• Tax and National Insurance• Underlying rights clearances and acquisition• Writers contracts, especially where formats are involved• Umbrella deals • Pre-sales and co-productions• Programme sales agreements• Digital media rights• Music rights• Anti-piracy activities• Disputes Resolution
Advice is given to Pact members online, via phone or in person. For a business affairs appointment please call 0207 380 8230 and select “Business Affairs”.
Pact members can download and use our specially-designed model contracts, agreements, guidance notes and information on business affairs subjects at no cost.
Pact cannot accept programme ideas or provide advice on how to get your programme made, please see what to do if you have a programme idea.